Sim2 Domino 45 User Manual download pdf (Page 55)

to reduce the clarity of outlines, making the picture softer and less

harsh. If you set definition too high, the image may appear distor-

ted and outlines may look unnatural.

- “Hue

”: This items appears only if you are receiving an NTSC

signal (that is the signal encoding system used e.g. in Japan and

in the United States). In this case there is a slider control that

affects the only colours without influence on brightness and con-

trast. You can use it to give the entire image a chromatic predomi-

nant of green, red, etc..

- “Advanced Adj.

”: when you select this item a sub-menu

appears that lets you make more specific changes to the image.

The items are the following:

• Aspect Ratio: The term ‘aspect ratio’ is generally used to refer

to the proportions between the width and height of the screen or

the picture displayed on it. The television normally displays ima-

ges in 16:9 aspect ratio. Some channels, however, may broad-

cast in different aspect ratios (e.g. 4:3 or other aspect ratios simi-

lar to 16:9). In these cases you may have to manually change the

aspect ratio to suit your screen.

Choose one of the following options:

-“Auto

”: This option automatically adapts the aspect ratios of

incoming signals to the screen’s 16:9 format.

- “Normal

”: This option displays the image to the full height of the

screen without altering the aspect ratio of the incoming signal.

This means that if the incoming signal is in 4:3 aspect ratio, you

will see black strips down the sides of the screen.

-“Anamorphic

”: Select this setting if the incoming signal is in 4:3

aspect ratio and you want to view the picture full screen (in 16:9).

This setting expands the image horizontally.

-“Letterbox

”: This setting lets you view an image transmitted in

4:3 letterbox aspect ratio (in which the signal includes black

strips across the top and bottom of the picture) full screen in the

correct 16:9 aspect ratio.

-“Panoramic

”: This setting broadens a 4:3 image but trims little off

at the top and bottom. This is the best setting for viewing a 4:3

format image on a 16:9 screen.

-“Pixel/Pixel”: This option maps each signal pixel directly to one

screen pixel, whatever the image format, and does not alter or

adapt the image to the screen in any way. Pictures are displayed

in the centre of the screen. If their horizontal and/or vertical reso-

lution is less than that of the screen, horizontal and/or vertical

black strips will appear around the edges.

-“User 1

” and “User 2”: If the image has two black strips (above

and below the picture), or if the image is broadcast in 16:9 for-

mat and the subtitles appear wholly or partly off screen, you can

configure these settings to reduce picture size with the height

and width controls until you can read the subtitles clearly.

NOTE: The options in the Aspect Ratio sub-menu can also be

accessed by repeatedly pressing key [19] on the remote control.

-“Zoom

”: When you select this option, a “magnifying glass”

symbol appears. You can now use keys [23 and 24] to zoom in or

out. If you press key [7], a “hand” symbol appears. You can now

use keys [22, 23, 24 and 25] to move the picture vertically or hori-

zontally.

-“Color T

emp.”: This option lets you alter the strength of the three

primary colour signals (red, yellow and blue) to give the picture an

overall tint. You can obtain a “colder” image by increasing the blue

or a warmer image by increasing the red, etc..

You can also choose between the preset values HIGH (correspon-

ding to around 9300 degrees Kelvin), MEDIUM (around 6500

degrees Kelvin), LOW (around 5000 degrees Kelvin), and a perso-

nal setting called USER, which you can configure yourself by adju-

sting the red green and blue separately. You can give the picture a

reddish tint (corresponding to a low colour temperature value in

degrees Kelvin) or a bluish tint (corresponding to a high colour

temperature value in degrees Kelvin).

Generally speaking, HIGH values are best for viewing graphic ima-

ges while MEDIUM or LOW values are best for viewing video ima-

ges.

Only changes these settings if you are an expert user, since incor-

rect settings can spoil picture quality.

- “Gamma Corr

.”: This option lets you compensate for linearity error

in colour interpretation during signal processing. You can use it to

emphasise different brightness ranges (black, dark greys, medium

greys, light greys and white). You can also choose between three

presets. GRAPHICS is generally best for viewing graphic images

while FILM or VIDEO is generally best for video images.

- “Cinema Mode

”: If you set AUTO, the deinterlacer automatically

determines whether the video signal comes from a cinema film

(taken with a Telecine film camera and 3:2 or 2:2 sequencing) and

applies the best available deinterlacing algorithm.

If the signal does not originate from a cinema film of this type or if

you have set the option Off, the deinterlacer applies a generic

“Motion compensed” algorithm for images originating from televi-

sion cameras.

- “Sharpness Mode

”: This option allows you to select the way in

which the incoming signal is processed in terms of horizontal and

vertical definition. By selecting the most appropriate setting for all

incoming signals, you can optimise horizontal and vertical defini-

tion and improve picture sharpness.

- “Selection

”: This option lets you select the presets configured

using the Picture menu. Once you have made all the necessary

brightness, contrast, colour, sharpness and hue settings, you can

use the “Preset” option to quickly recall one of the three Day Light,

Night Light or Ave. Value presets.

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